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* PREORDER * FUZZ - Levitation Sessions LP (colour vinyl)

Reverberation Appreciation Society

* PREORDER * FUZZ - Levitation Sessions LP (colour vinyl)

$44.95
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* PREORDER * expected to arrive October
Australian Exclusive Transparent Purple Smoke colour vinyl.
Limited to 250 copies.

Melbourne (and Oz) folk see below for answers to the many questions we receive (overseas buyers should read our store FAQ)

AUST EXCLUSIVE LEVITATION SESSIONS PREORDERS COMING SOON:
Slift 2LP
(Ty Segall & Freedom Band - watch for preorder at later date - NOV/DEC '21)

OSEES LEVITATION SESSIONS PREORDER (the original release, December 2020!)
Expected to arrive 20-30th June.
(for Vol. I + II see product descriptions)

REVERBERATION APPRECIATION SOCIETY RELEASES, PREORDER SOON:
Acid Dad
Hooveriii
Alex Maas
Frankie & Witch Fingers – Monsters
(we’re working on Night Beats!)

FINGERS CROSSED:
Kikagaku Moyo

(Ordered more items at the same time as a preorder and don't wanna wait for it all to arrive? You can pick up those in stock now or, if it involves shipping, simply place another order - whether it be reaching the $125 free shipping threshold, or a smaller order - and tell us using the text area marked ORDER NOTES that you have another order pending and to add whatever's here to the new order.)

Heavy psych power trio Charles Moothart, Ty Segall and Chad Ubovich hit the stage for the first time together in five years bringing a full set spanning their entire discography and new album, III! Recorded at Zebulon in Los Angeles, CA.

In Oct 2020 the band released their first album in 5 years, III, scorching the earth with pure primitive rock and roll mastery captured by the sonic guru Steve Albini. It’s a record that is meant to be heard and experienced live, and their Levitation Sessions set is the smoldering slab of heavy psych we’ve all been waiting for, recorded at Zebulon in Los Angeles. Director Joshua Erkman alongside sound engineers Matthew Littlejohn and Mike Kriebel, capture FUZZ’s intense energy backdropped by electric artwork from artist Tatiana Kartomten.

“We wanted to create something that felt like more than just a replacement for seeing us live. This is the first time we had played songs from III in the context of a set, and we found new footing on some of the old songs. This led us down avenues we hadn’t seen in rehearsal. To find ourselves in the space right in between ‘lost’ and ‘found’ (aka live) was both alarming and electrifying after having been away from it for so long.” - FUZZ


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