Heavy machinery
SARAH MARY CHADWICK - The Queen Who Stole The Sky LP
$34.95
The prolific Sarah Mary Chadwick returns with 'The Queen Who Stole The Sky', an album performed and recorded live on Melbourne Town Hall's 147 year-old grand organ. Originally built in 1872, rebuilt in 1925 and refurbished in the 1990s.
In 2018, Sarah Mary Chadwick was commissioned by Melbourne City Council to create an entirely new body of work, to be written and recorded in just three months on an instrument grand in size, sound and antiquity. A daunting task to some, but Sarah Mary Chadwick's trademark writing style is one that instigates itself furiously - she feels and then begins to write, without ruminating or long periods of drawn out self-reflection.
What results from this process are songs that are completely undiluted in their spirit, and an ability to create vast volumes of work over relatively short periods of time.
The Queen Who Stole The Sky' is a body of work that is undeniably commanding, yet punctuated by quieter points of intimacy. The songs have a narrative-like quality, unfolding themselves before their audience. Sarah Mary Chadwick's command of the grand organ is testament to her musicality - the sheer size of the instrument could so easily drown out the nuances of the songwriting - but not so for Sarah
In 2018, Sarah Mary Chadwick was commissioned by Melbourne City Council to create an entirely new body of work, to be written and recorded in just three months on an instrument grand in size, sound and antiquity. A daunting task to some, but Sarah Mary Chadwick's trademark writing style is one that instigates itself furiously - she feels and then begins to write, without ruminating or long periods of drawn out self-reflection.
What results from this process are songs that are completely undiluted in their spirit, and an ability to create vast volumes of work over relatively short periods of time.
The Queen Who Stole The Sky' is a body of work that is undeniably commanding, yet punctuated by quieter points of intimacy. The songs have a narrative-like quality, unfolding themselves before their audience. Sarah Mary Chadwick's command of the grand organ is testament to her musicality - the sheer size of the instrument could so easily drown out the nuances of the songwriting - but not so for Sarah
